![]() ![]() ![]() Their eyes don’t know what they’re doing and their tongue is rolling out. If you look up sun bears, they just look cooked on any given day. We leaned heavily towards sun bears because we wanted real-life behaviors ideally by a bear however, it had to have the loopiness that drugs introduce. There were certain subtleties played up and down. That was an interesting exploration and one that took time and evolved as the movie started taking shape and then again as the movie went through the edit. It had to be threatening and believable, but it’s a bear high on drugs. “The tricky bit was taking all of the crazy coke references that we knew to be true, like Scarface, however then making sure it didn’t turn into a farcical comical performance. “When you first hear the name of the movie, everyone assumed that it was a working title,” Hollander admits. Simple head turns, slight angles and extra light kicks, as well as textural components like blood and dirt, helped to shape the shot.”įinding reference of black bears is not hard, but reference of one experiencing a high is a whole other thing. That was hard for the animation and lighting teams to give her shape, but your eye wants to tell you that there is no shape. Observes Hollander, “If you see a side profile, Cokey is unmistakably a black bear, but when she stares towards you, the snout foreshortens, making her look like a fat husky. Sometimes we had to accentuate her form so that the light could catch and give us the shape and performance that were needed.” Black bears have a distinct nasal bridge. Stage three is she swam in a river of blood and looks terrible. Stage two is little bits of dishevel and blood. mark, which is within the upper range of what is feasible,” Hollander states. “We estimated Cokey to be around the 500-lb. Placed in charge of digitally creating the drug-induced antagonist leaving behind a trail of carnage was Wētā FX Visual Effects Supervisor Robin Hollander, who had to produce 468 shots over a period of two years. ![]()
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